In February, I participated in Mary Buckham's online course and discussion, "Body Language on the Page,"
with the Guppies. The last online class I'd taken with Mary was
"Plotting with the Mythic Structure: Creating Surefire
Plots that Sell", in January 2007. She now offers this
fabulous course through a lecture packet from her web site. I've been fortunate
to meet Mary twice in person: when she came to Raleigh in October 2008,
and last summer at the RWA National Conference.
The goal of "Body Language on the Page"
is to help writers discover ways to clue readers in on a character's emotional
state through movements of the character's body (ie. nonverbal communications)
— without "telling" or interpreting. Mary's lectures make extensive
use of well-documented cues that humans present in their faces, torsos, arms,
legs, etc. when they're feeling emotions such as attraction, revulsion, fear,
anger, and curiosity. Mary also covers clusters of cues that inform readers by
structuring a more rounded picture than individual signals might accomplish.
Probably the most difficult concept to grasp in
this course is recognizing the difference between choreography and body
language. Body language shows evidence of deep emotion, the kind of emotion
that slips out involuntarily, despite our efforts to conceal it. In that
respect, Mary's definition of body language is akin to the "visceral"
response that Margie Lawson teaches students to recognize in her online course
"Empowering Characters' Emotions." In contrast, choreography
is a more conscious, controlled response, even though it may carry some
emotion.
Regardless of whether you label the deep emotional
responses "body language" or "visceral," they're
involuntary, unconscious. Use of this level of response with characters leads
to more powerful writing. That's what we're after here: knock-your-socks-off
writing.
I highly recommend "Body Language on the
Page" for craft building. Thanks, Mary, for an excellent course!
This month, I'm taking another online course,
"Paranormal Forensic Investigation," with Katherine Ramsland
as instructor. I'll report on it in April.
The course takes on the territory that the show “Lie to Me” takes on TV, the suppressed emotion. Mary teaches us how to write those little flickers, those “tells,” that give clues as to what’s going on behind the mask.
Good luck with the paranormal course. That sounds interesting, too.
Rhonda, Mary spends a good bit of time in this course showing how people try to fake body language, mostly by using their faces and upper bodies. It’s in the lower body that most of the clues show themselves. Thanks for stopping by.