Cause of Death

GreatAuntAndSeth01 Last month, I became a great-aunt for the first time. After
my initial buzz of delight dissipated, I figuratively slid on the
microbiologist's white coat that I haven't worn in a number of years and
pondered a few moments. What were my chances of achieving great-aunthood, had I
lived in North America during the time of the Revolutionary War?

The average life expectancy at birth in North America now is
about 78 years. The top cause of death for both men and women isn't cancer, as
you may believe. It's heart disease, much of which is abetted by lifestyle
factors. Furthermore, heart disease in women isn't identical to heart disease
in men. (Visit WomenHeart for more information.) Folks, if you make
resolutions for the new year, do yourself and your loved ones a favor and make
a big one this year.
Opt for healthier lifestyle habits in 2010.

Back in the time of the War of American Independence, the
average life expectancy at birth was about 35 years. What was the top cause of
death then? When you think of that particular war and death, the image of
starving, freezing soldiers at Valley Forge comes to mind. Also the
image of hundreds of soldiers dead on a battlefield.

But the leading cause of mortality for men and women at that
time was actually infection. In the late eighteenth century, people were
almost clueless about the spread of infectious diseases. Poor hygiene and poor
sterile technique. No antibiotics. If you weren't one of those soldiers sprawled on the battlefield, but you'd been injured in the battle, your
chances of death from infection excelled your chances of survival.

Even if you were never injured in battle, you contended with
diseases sweeping through your environment. Smallpox inoculations for soldiers
were just coming into vogue, but no inoculations existed for yellow fever,
malaria, typhoid, and cholera. For a short list of other pathogens that
circulated army camps and towns, take a look at the diseases for which children
are immunized today. In the early 1780s, an influenza pandemic proved an even
greater killer than those microbial heavyweights. And let's not forget the
incessant toll of pneumonia, often the cause of death as a secondary infection.
In North America, infection remained the leading cause of death until the twentieth century, when antibiotics and immunizations finally got the upper
hand on that agent of mortality.

Back to my original question. What were my chances of
achieving great-aunthood, had I lived in North America during the time of the Revolutionary
War? I'm blessed with a Class A immune system and disease fighting genes. When
I was a child, my immune system took out mumps, measles, and a mild case of
chickenpox. As an adult, my immune system has taken out a misdiagnosed case of
whooping cough and a misdiagnosed case of bubonic plague. (Note on the plague:
I'm fairly certain that partial CCR5 resistance conferred from my ancestors in
the British Isles saved my life.)

About fifteen years ago, right after my immune system
hammered a misdiagnosed case of E. coli, I contracted pneumonia as a
secondary infection. My exhausted immune system needed the help of antibiotics. I was 37 years old. Had I lived during the Revolutionary War, I
could very well have become a statistic: one more person who succumbed at about
average age of mortality to the leading cause of death. In other words, I
probably would not have lived to hold my great-nephew.

A huge reminder to consider what I, as a North American in
2010, take for granted — and count all my blessings.

Happy New Year to all. What blessings do you count?

A Holiday Gift of Character

Life Experiences is a non-profit organization based in
Cary, North Carolina. It offers satisfying work experiences for adults with
varying disabilities. By providing valuable services and products to the
community, these adults receive the self-esteem of earning wages for their
work.

Mid-summer of this year, I was contacted by a business
acquaintance, Katherine Sliva, whose husband is on the board of directors for
Life Experiences. The organization's 22nd annual charity event was coming up in
August. For one of the "items" on the block, Katherine wanted to
auction off a character name in my next book. Was I game?

Oh, my goodness, what an honor! Sure!


The winner, Peggy Carroll, asked if she could transfer the
character name to her son, Blake, a history buff and currently a student at
Athens Drive High School in Raleigh, North Carolina. As a special surprise, the
gift of this character name would be a Christmas present for her son.

Blakecarroll Merry Christmas, Blake Carroll, and welcome to the
Southern theater of the American Revolution. You're now officially a named
character in my next book, currently titled A Deadly Occupation. Thank
you, Peggy Carroll and Katherine Sliva, for making this unique gift possible.
Your creativity and giving have made winners of us all, especially the
hardworking folks for whom Life Experiences finds employment.

A restful and happy winter holiday to all.

Eww, That Wintry Mix

My publisher, Dram Tree Books, is still holding the annual bookselling/booksigning event today at Books a Million in Wilmington, NC, where the high is expected to reach a balmy 43 degrees. Several Dram Tree Books authors will be there to autograph books. Stop by and say hello.

I'll be home today, two hours away in Raleigh's wintry mix, rather than at the event. Worse than driving out of an area with treacherous road conditions is driving back into it after dark.

If you're in the Eastern U.S., where this storm is providing a one-two punch of winter, please don't get out and drive in it. Stay home, add another log to the fire in your fireplace, and enjoy the company of your loved ones.

Happy Yule, Kwanzaa, Hanukkah, and Christmas.

Now Available: My Published In-Print Books as eBooks

Do you read books in electronic format?

From my page on Smashwords, you can now sample and purchase Paper Woman, The
Blacksmith's Daughter
, and Camp Follower
in several electronic formats, including those for Kindle and Sony
eReader.

Paper Woman and The Blacksmith's Daughter are
currently "live" in the Kindle Store at Amazon. Camp Follower
should become available at the Kindle Store within a few days.

Huzzah!

2009 Holiday Author Tour

CWHillRedcoatAdairDec09smaller This holiday season, I've been on the road just
about every weekend. As usual, the Grand Illumination at Colonial Williamsburg,
held the first weekend in December, was lovely. Bob Hill, the retail manager at
the visitor center bookstore, is such a courteous and helpful fellow.
Optimistic, too. Despite raw weather Saturday 5 December, he insisted that
visitors would come — and he was right! He's the guy to the left of us back in
the store, zooming past, making sure guests find what they need. And do check
out part of a medley of holiday tunes played that afternoon in the
visitor center by the fife and drum corps.

If you're in Wilmington, North Carolina Saturday 19
December, please stop by the Books a Million on Oleander Drive, where I'll be
participating all day at my publisher's annual holiday booksigning. At one
point last Saturday, I was one of six authors present at the Dram Tree Books
table. But you won't mistake me for one of the other authors. I'm the only one
who brings her own redcoats.

Have a peaceful, restful holiday season.

Author Elizabeth Zelvin on Editing, Critique, and Craft

ZelvinAdair04  Elizabeth Zelvin, author of Death Will Get
You Sober
and Death Will Help You Leave Him, capped a two-week tour
through North Carolina yesterday at the Sternberger Center in Greensboro with
her presentation "The End is Just the Beginning: Editing, Critique, and
Craft."


Liz repeats the following mantras to herself when she
writes:

  • Just keep telling the story. This one is most important to her during first drafts.
  • Nothing is wasted. Liz has analyzed her rejections for ways
    to improve her manuscripts and used down time to build her network and support
    system.
  • I'm writing the best that I can at this time.

She shared numerous stories of her publishing wisdom with
the audience. For example, she originally alternated first-person viewpoints
between two characters, Bruce and Barbara, in Death Will Get You Sober.
An editor at St. Martins (her current publisher) commented that Bruce was the
stronger voice of the two. At first, Liz resisted the idea of making Bruce the
main character and Barbara the sidekick because Barbara was her female voice.
But after she completed a major edit that took Barbara out of the first person
and cast her voice into the third person, she discovered that the edit
separated the character from the author. This allowed Liz to give Barbara more
freedom.


The enemy of craft, says Liz, is impatience. She counts the
traits of emotional security and willingness to be vulnerable as essential in
helping a writer receive the level of critique that will improve his or her
manuscript the most.


Agatha award winning author Chris Roerden arranged
Liz's tour. Thanks to Chris and Liz for the presentation yesterday. And what a
pleasure to meet Liz my sister Guppy at last, after several years of
emails!

 

Inside the World of Revolutionary War Reenacting

What do spectators see at the site of a Revolutionary War
reenactment? What happens behind the scenes after the public leaves the site
for the day? In response to everyone who has expressed interest, this post and
future posts will delve into the wonderful hobby that's entertained and
educated my family and me for about a decade. Welcome in the 18th century!


Privatemusiciansmall Spectators wandering through
the Crown forces camp at Historic Camden in South Carolina on 7 November
2009 for the annual "Revolutionary War Field Days" event might have
encountered these two young men. The lads are portraying a private and a
musician in the 33rd Light Company of Foot, and they've posed before an accurate
reproduction of the house occupied by General Cornwallis when he marched to
Camden in August 1780. The private (left) wears a sleeved waistcoat,
rather than the bulky red coat with white trim that we usually associate with
regular troops of the 33rd Light Company. Lightweight, sleeved waistcoats were
an adaptation deployed in many units in response to summer heat in the Southern
colonies. Construction of these waistcoats also required less material than
standard coats, an important consideration toward the end of the war, when
supply trains for both sides were interrupted, and spare material was difficult
to come by. The youthful infantry soldier in this picture carries a Brown Bess
musket with fixed bayonet and wears a cartridge box and bayonet belt. The musician
(right) wears the more traditional-style coat. Reverse colors (white coat with
red trim) indicate that he's a musician. Considered junior officers, musicians
wore swords and carried the fusils (short muskets) of their commanding
officers. Often, they also carried a cat o' nine tails, for they were
responsible for flogging disobedient soldiers. The logic here was that a boy
who didn't yet possess the upper body strength of a man would be less likely to
kill a noncompliant soldier while dispensing several hundred lashes upon the
man. The ages of the infantry soldier and company musician are 16 and 14
respectively. In 1780, they would most definitely have been out in the thick of
battle at those ages.


Guyfawkessmall Visiting public in the Crown forces
camp might also have spotted this effigy of Guy Fawkes, stuffed with
straw and fireworks, awaiting the honor of being thrown in a bonfire. Guy
Fawkes was involved in the notorious Gunpowder Plot to blow up the Houses of
Parliament and King James I in 1605. He was executed the following year. Each
year since 1605, on 5 November, the anniversary of his capture, folks in the
U.K. celebrate Guy Fawkes Night by tossing an effigy of Guy into a bonfire.
Often the action is accompanied by a fireworks display and feast. Guy Fawkes
Night celebrations could also be found in His Majesty's North American colonies
through the time of the War of Independence. At this reenactment, reenactors on
the Crown forces side celebrate Guy Fawkes Night on Saturday, several hours
after the site closes to the public. The Guy gets a lift to the roaring bonfire
upon the shoulders of loyalists and redcoats who shout, "Burn the Guy!
Kill the Guy!" (Mob mentality, yes.) After the effigy is tossed in and
produces a sort of mini-Tet Offensive, reenactors continue the fun by
detonating their own fireworks caches. A light dinner follows, as well as
18th-century dancing. For most reenactors, the party winds down by midnight.
Note that while the pyrotechnics are at their peak in the Crown forces redoubt,
envious folks in the Continental camp sometimes shoot bottle rockets our way.
How tame.


This video clip
shows a portion of the Crown forces charge at the 7 November reenactment. The
original Battle of Camden, a major victory for General Cornwallis and the
Crown, occurred in August 1780. Dressed in wool, a goodly number of combatants
on both sides succumbed to the heat. Thus the battle reenactment is held the
first weekend of November each year. (Except for the 225th anniversary battle
reenactment, held in August 2005, with a heat index of about 110 degrees. I was
there for it. Ick.) On the video clip, you can hear the Crown forces yelling as
they charge and see the opposing militia line collapse and scatter after a
final burst of musket fire. One of Continental General Gates's strategy errors
for the battle was to line up some of his militiamen opposite seasoned British
regulars. Throughout the war, militia on both sides were notoriously unreliable.
The Continental Army came to this battle low on food, with many men weakened
from diarrhea. Upon spotting redcoats bearing down on them with fixed bayonets,
many of these sick, hungry militiamen threw down their muskets and fled into
the forest. Can you blame them?


Here's a piece of
the drill performed by reenactors from the Regiment von Bose about an hour
before the battle reenactment started on 7 November. Listen for the commands in
German. Historically, soldiers from Hesse-Kassel (Hessians) became part of
General Cornwallis's army in the South, participating in combat with him
through the Battle of Guilford Courthouse in March 1781. Some went on to
Yorktown with him.


Had I been a little
quicker with my camera, I'd have caught more of this fife-and-drum performance,
including the clicking drumstick segment that occurred as I was readying the
camera. Colonial Williamsburg, where I'll be signing books during the
Grand Illumination event on 6 December, puts on a fabulous fife-and-drum show.
Be sure to catch it when you're touring the city.


This video gives you an idea
of camp cuisine at a reenactment. The chicken and rice stew also contains
celery, carrots, and onions, and is flavored with herbs such as bay leaves. The
granola, made with dried apples, nuts, and oats might also contain cinnamon and
be sweetened with honey or molasses. Both these dishes were prepared on site
earlier in the morning, using the campfire, pots, and utensils you see in the
clip. While the fare is period-accurate, soldiers and civilians in both armies
usually didn't eat so well. Most days, they were on the move and thus didn't
have time to put together stew or granola. Some form of jerky, plus fried corn
cakes, rehydrated peas, and rum formed a more typical diet — when the unit had
food, and many units didn't consistently have food. The women's attire is
typical of that for civilian women who followed a military unit. No elegant
polonaise gowns here. The short jacket over the petticoat allowed women freedom
of movement to perform manual labor such as cooking and laundering. For a
middle- or lower-class woman, following an army was drudgery, and it could be
very dangerous, as I depict in my novel Camp Follower. But in the 18th
century, accompanying an army was often the only source of safety for civilians
living in the backcountry.


The little girls in this video
are playing a game, trying to catch a wooden hoop with two sticks. If children
in an army camp had leisure time, they might play a game like this. But unless
the unit they were following encamped for several days, they wouldn't have such
time for recreation. They'd be running errands, carrying messages, gathering
firewood, cooking, cleaning, and so forth. Many children became casualties of
war. By following a military unit with an adult relative, they were exposed to
all the depravations of war encountered by adults.


What's something new that you learned from reading this
post? Leave me a comment. I'd love to hear from you.

Poisoned Pen’s WebCon 2009

Much will undoubtedly be written in the coming weeks of
PPWebCon, the first entirely virtual conference for mystery readers and
writers, held in cyberspace 24 October 2009. Poisoned Pen Press took advantage
of the full range of existing technologies available for the Internet (okay, a
few times it overextended those technologies) to produce a ten-hour conference
that included live and prerecorded interviews, panel discussions, and
presentations.

Registrants received goody bags, pitched ideas for novels to
editors, and chatted in the Coffee Shop. Overall, it was an amazing experience.
I cannot wait to see what Poisoned Pen does with this medium in 2010.

I participated in a text panel called "Historical
Mysteries — Do They Have Something to Say About Our Times?"
with Beverle
Graves Myers
moderating. Since content for my panel as well as content
for most of the rest of the conference is now available online for anyone
who didn't register, I'm not going to spend a lot of time telling you what I
saw and heard in individual sessions. But I do encourage you to explore the
PPWebCon site thoroughly.

Make sure you check out Peter May's kick-off presentation
about his research in China for his thrillers. He includes some visually
stunning footage of Chinese culture, including the making of a Chinese crepe
called a jian bing, as well as the trailer for his upcoming release, a
standalone that's set in the virtual world. Chinese on cell phones, bicycling
in the snow, practicing qigong and tai chi. Chinese propaganda delivered like
"CSI." Chinese banquet with deep-fried scorpions. Oh, my. Talk about
world building. Don't miss it.

Here are some themes I heard reiterated during my real-time
participation in PPWebCon:

  • A web site is a must for every author. But authors must use
    caution with blogs and social media. The first priority of authors is to write
    and sell their next well-written book. Don't let various forms of promotion get
    in the way of that.
  • Go to conferences to make friends with booksellers and other
    authors. Build a network at conferences. But don't go to gab about you, you,
    you.
  • Hand selling is what sells books. Indy bookstores are
    particularly good at hand selling. But authors must realize that this process
    takes a great deal of time. So-called overnight successes have usually been
    around for a number of years.
  • Don't self-publish a book unless you're an established
    author with credibility. It's almost impossible for self-published books to get
    reviews. Furthermore, most self-published books don't go through the rugged
    internal review process enforced by a publisher. This process is crucial for
    growing the author's craft.
  • The ability to buy e-books from bookstores will develop as a
    competitive trend.

Later today, I'm in an author panel at the Author
Showcase
, co-sponsored by Falls River Books and the North Carolina
Writers Network. I hope to see you there!

Deadly Divas in Raleigh

DeadlyDivas01
"Tea with the Divas" features mystery
authors (l to r) Sara Rosett, Laura Bradford, Marcia Talley
(president of Sisters in Crime), Heather Webber, and Denise
Swanson
. Molly Weston organized the tour of these ladies through
the Raleigh area. I caught up with them today, 23 October, at the Eva H. Perry
Library
. They discussed settings for their novels, characters who steal
scenes, fan mail, themes, and the writing process. It was a pleasure to put
faces to names that I've known until now in cyberspace only.

 

Create an Author/Writer Resume, and Toot Your Horn!

You have a resume for your day job, right? What would you do
to go about building a resume for yourself as an author/writer, if you suddenly
found yourself in need of one?

When I operated a product design and user interface design
consultancy, I updated my resume after I completed every project to reflect any
new software, hardware, people, and industry experience I'd gained as well as
latest trends for the presentation of information on a resume. In 2006, I
became a published mystery author. To my pleasant surprise, I found that
published books, a bio, and word of mouth mattered far more than a resume in
securing most speaking engagements, such as those of workshop presenter at a
writing conference or a panelist.

But Academia still wants a paper resume, regardless of how many
books you've published. Recently I applied to teach a workshop at Meredith
College
, as part of the Spring 2010 community program. I had to include a
resume with my proposal. The content (audience, objectives, skills,
credentials) and organization of this resume would, of necessity, be quite
different from the resume produced by a product design consultant. Alice
Osborn
, who teaches at Meredith College and is also the Raleigh-area
regional representative for the North Carolina Writers Network, emailed
me her resume. I used it as a springboard to build my own author/writer resume.

Here are sections to include when building your resume:

Name and contact information. Center this information
at the top of page one. Include your name, pen name, street address, phone
number, email address, and web site address.

Professional objectives. Describe why you're reaching
out to people with your expertise and how you expect to help them. Bullet each
objective separately. Begin each sentence with a power verb, like
"educate." These objectives will guide what you include in other
sections of the resume. Be clear with them. Also, make them high-level. Your
proposal is the place to include lower-level, specific goals that you expect
attendees to accomplish during your class or workshop.

Education. List college degrees. If you've taken
workshops or seminars that enhance your expertise with the professional
objectives above, list them, too. Start your list with the most recent
education.

Writing Experience. Here's where you show your many
years' work experience as a writer, positions that helped you qualify for
delivering those professional objectives. Again, arrange your list so that
what's most recent is at the top. (If you're published, put "published
author" at the very top.) Make each position a separate bullet point.
Example of a listing: Technical writer,
americansoftware.com ● Atlanta, GA (1991-1993).

Literary awards and distinctions. List your award
receipts, nominations, honorable mentions, finalist positions, semi-finalist
positions, etc. You can also list opportunities your expertise has given you,
such as judging writing contests. Start your list with what's most recent.
Strut your stuff. Example of a listing: Winner,
2007 Patrick D. Smith Literature Award
● Florida Historical Society.

Professional associations. List those organizations
in which membership helps you grow professionally and achieve those objectives
above.

Workshops, presentations, and other speaking engagements.
Start your list with what's most recent. Don't include an event that doesn't
contribute to the professional objectives. Example of a listing: Where Do You Get Your Ideas? (panel)
Raleigh, NC ● Authors' Showcase, North Carolina Writers Network, Oct 2009.

Reviews received. If you're published, list review
information for your most recent release first. Don't feel you have to cite
every review you've received. Select a representative few. Example of a
listing: Camp Follower
Midwest Book Review, Christy Tillery French ● 1 Dec 2008.

Guest essays. Again, list the most recent first. And
cite representative essays, those that reflect the range of your expertise,
relating to those professional objectives. Example of a listing: Do
Historical Mysteries Have Something to Say About Our Time?
Poisoned Pen Press's Webcon text panel Oct 2009.

I included the titles of my books in the Writing Experience
section. If you have a large number of books published, split that information
out as a separate section. Depending on what else you have published, it might
make more sense to list your published books, short stories, and
magazine/newspaper articles in a separate section. List your public readings if
they relate to the professional objectives.

Keep the whole resume to three pages or fewer. You won't be
able to include everything. Make strategic choices that showcase the range of
your expertise.

Don't be surprised if the creation of this resume reveals
facets of your writing career that you'd overlooked. For example, when I
completed the Workshops, Presentations, and Other Speaking Engagements section,
I was amazed by how much traveling I'd done in the past three years. That
certainly helps explain why I'm so tired. (Having two teenagers under my roof
is another factor in the equation.)


The resume and proposal I sent to Meredith College helped me
clinch the workshop slot. I'll be teaching my workshop, "Creating
Archetypal Characters and Suspenseful Plots with the Hero's Journey," the
evening of 27 April 2010 at Meredith College. Register for my workshop if
you're in the Raleigh-Durham area during that time, and you want to work toward
the following goals with your manuscript:

  • Build relatable, deep, and meaningful characters.

  • Structure a plot that sustains suspense.
  • Repair breaches in a plot.

And please leave me feedback in the comments section
below. Tell me how this post helped you.

Next up: PPWebcon.