A Subtle Symbol of Tyranny and Patriotism

Historical nonfiction author Kimberly Walters provides a window into the social and political life of 18th-century America—via tea.

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Kimberly Walters author photoRelevant History welcomes back nonfiction author Kimberly K. Walters, who started reenacting as a hearth cook in 2009 as the Washington Headquarters housekeeper, modeled after Mrs. Elizabeth Thompson. A Book of Cookery by a Lady (2014) is a tribute to Mrs. Thompson. An avid horse woman, animal lover, and historian, Kim is a member of the Fincastle Chapter, the National Society Daughters of the American Revolution in Kentucky. At K. Walters at the Sign of the Gray Horse, she sells reproduction and historically inspired jewelry to care for her rescued and Colonial Williamsburg retired horses. Tea in 18th Century America was released on 17 July 2019. To learn more about her and her books, visit her web site, and follow her on Facebook, Twitter, and Instagram.

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Tea in 18th Century America focuses on the beverage in the American colonies during the eighteenth century. The only other person to write about this topic was Rodris Roth in the 1960s. Tea in 18th Century America is an expansion of a chapter of A Book of Cookery by a Lady, published in 2014.

The Tea from Pomet by Pierre Pomet 1694In America, tea was much more than just a drink, and the book gives the reader insight into the importance of tea in the Colonies and early Federal eras. The book begins with an introduction to the history of tea, its journey to the shores of America tracing its ebbs and flows in popularity, and the cultural meaning attached to its use. Then, while giving credit to the research done by Rodris Roth, I added extensive research utilizing period newspapers, historic texts, period portraits, and prints to immerse the reader in their world.

Tea receipt from Winterthur collection dated 1786Tea in pre- and post-revolutionary America was a symbol of tyranny or patriotism and helped create an American identity. At first, I did not want to go in-depth on the explanation of the legal acts and taxes on commodities that set the stage for Americans’ outrage over the monopoly held by the East India Tea Company on tea. However, I felt it an essential and necessary part of this story. The acts and taxes led to the drop in popularity of tea as revolutionary sentiments grew. To drink tea became a political act, although that seemed only to be the case for imported tea. The tea ceremony was still being practiced, albeit with herbal tea as a substitute. Also tea was still being ordered for import, but we do not know if it ever made it to those who ordered it.

Enjoying tea required all types of “material culture” items: teapots, spoons, tea chests, cups, saucers, slop bowls, specialized spoons such as “mote spoon” and “tea scoop” specifically for the tea caddy, and various other items that were markers of class and financial status. Taking tea was often a performative act in social settings, with rules to be followed and customs to be learned. Tea was so much more than a delightful hot beverage, and it was not only “taken” with sweets as a side dish.

I included chapters on when during the day people in eighteenth-century America drank tea, and the types that were popular. There are instructions on understanding eighteenth-century recipes as well as identifying foods that are perfect to prepare and eat when having your own tea party. From breads and small cakes to dessert collations—there are notes for each recipe to help prepare them. I have also included descriptions of how food was given color and even how medicinal teas were used to cure an ill.

A bonus chapter focuses on the life of Margaret Tilghman Carroll, widow of Charles Carroll “the Barrister.” While living at Mount Clare in Baltimore, Maryland, Mrs. Carroll kept an account book that included an inventory on tea items she owned, and she wrote recipes within it. That book is preserved in the Maryland Historical Society library.

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Tea in 18th Century America book coverA big thanks to Kimberly Walters! She’ll give away one hardcover copy of Tea in 18th Century America to someone who contributes a comment on my blog this week. I’ll choose the winner from among those who comment by Friday at 6 p.m. ET. Delivery is available worldwide.

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Action at the 2018 Guilford Courthouse Battle Reenactment

Last Saturday I trekked to the annual Guilford Courthouse battle reenactment near Greensboro, North Carolina. The park is large, and between checking out the camps, sutlers, and battle, I estimate that I hiked around eight miles that day.

Fusiliers lining up in the British campFusiliers lining up in the British camp.

Video: Fusiliers executing a right wheel.

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Continentals retreat with the Crown forces in pursuit and visible in the center through the treesContinentals retreat with the Crown forces in pursuit and visible in the center through the trees.

Video: Two cool smoke rings from British artillery fire.

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British cavalryBritish cavalry.

Video: Final Crown forces charge.

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122% Funded — YESSS!

My backers are the best! Thank you, and keep the love coming!

Killer Debt book coverI’m running a bit behind on updates; last week I was organizing all my 2017 tax information for my accountant. Since I last posted, Ben Steelman at the Wilmington Star-News posted a great article about Killer Debt (although he misnamed my detective as “Matthew” instead of “Michael,” and the house on the front cover is actually the Nash-Hooper House in Hillsborough, NC). Also, Christine Gentes reviewed Killer Debt on her blog.

Check out these recent online interviews with me!

Courtney Carter’s blog
Destination Mystery blog
Map Your Mystery blog

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114% Funded — Wow!

Killer Debt book cover

We’re halfway through the campaign and have exceeded the original goal! Many thanks to my wonderful backers and the folks who have worked magic with social media. Please keep the momentum going. Let your friends, family, and associates know about Michael Stoddard and the campaign.

Early kudos for Killer Debt are coming in. Courtney Carter writes: “A thrilling new addition to the Michael Stoddard mystery series!” Thanks, Courtney!

Check out this fun clip from a few years ago, the 33rd Light Company of Foot executing a right wheel at the annual Battle of Camden reenactment in South Carolina.

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Day 5 and 93% Funded!

Killer Debt book coverMy crowdfunding campaign for Killer Debt, book #4 of the Michael Stoddard American Revolution Mystery series, is now at 93% funded only five days into the campaign. Thank you, everyone! I’ll post at least one “Stretch Goal” shortly. Please continue to spread the word about the campaign so we can reach 100%.

Read my interview on the Mysteristas blog if you’re curious why I set my series in Revolutionary North Carolina. I also have a guest post on the HFAC eBooks blog about why there’s much more to the 250th anniversary of the American Revolution than the Fourth of July 2026.

Thanks for following!

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Crowdfunding Campaign for Killer Debt is Live!

Killer Debt book coverI’m happy to announce that Killer Debt, Michael Stoddard American Revolution Mystery #4, is now available to pre-order. My campaign provides visibility to Revolutionary America’s history as well as to my award-winning series.

Killer Debt makes a great gift for you or any friends or family members who enjoy reading historical fiction and mysteries. Check out all the perks on the site. And look for links to the first chapter of Killer Debt in PDF form and to a video of me reading the first chapter at IllogiCon 2018 in January.

Relevant History author Anne Louise Bannon interviewed me on her blog earlier this week. You don’t want to miss it. I discuss why I chose to make the hero of my series a redcoat.

Thanks for following!

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The American Revolution from the “Other” Side

Killer Debt book coverAs a prelude to the crowdfunding campaign for my upcoming mystery Killer Debt, which starts on Thursday, author Anne Louise Bannon interviews me on her blog, where I discuss why I chose to make the hero of my series a redcoat.

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My Time Machine

From the Vault Note: This essay first appeared in a slightly different form on Southern Writers Magazine’s blog, April 2013.

Readers often comment that my stories immerse them fully in the fictional world I’ve created. Achieving that “You Are Here” feeling is a challenge for most authors. Those who write historical fiction wish they had a time machine, a way to experience what the past was like.

33rd Light Redcoats at BrattonsvilleI write crime fiction set during the eighteenth century, in the American War of Independence. I’ve found that time machine.

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Redcoat and Suzanne AdairWhen I started researching this period almost twenty years ago, I quickly realized that if I intended to create believable fiction about people who’d lived more than two hundred years earlier, reading books on the topic and interviewing subject matter experts wouldn’t cut it at helping me capture the period flavor. A desire to experience the everyday challenges my characters would have faced and how their world smelled, tasted, and sounded fueled my interest in becoming a Revolutionary War reenactor.

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Cooking at CamdenMy sons and I spent many weekends camped at historical battlegrounds during reenactment events. We slept in white canvas army tents with no mosquito screens, and we dressed in clothing made of wool and linen. Our menu was limited by what meals we could prepare over a wood fire. Food occasionally got scorched. Most of the time, running water, flush toilets, and heat or air-conditioning were unavailable.

I learned to start a fire from flint and steel. Not until I’d done so did I comprehend the impact of natural variables, such as wind and humidity, on establishing a fire when you don’t even have the convenience of matches. Try starting a fire with flint and steel on a windy, wintry night.

Continentals and Redcoats at Guilford CourthouseI also learned to load and fire a musket with powder only, like reenactors on the battlefield. Nothing I’d read prepared me for the noise, weight, heat, or reload time of the musket. The one time I fired a ball, I saw the way it could have ricocheted off trees and killed someone. How often did that happen in woodland skirmishes hundreds of years ago?

And I learned to move in a petticoat. However no reference book prepared me for how quickly the wind whipped my petticoat into the campfire at one event. Did you know that being burned was one of the top causes of death for women in the eighteenth century?

I’m a woman of the twenty-first century. I take technology for granted. Convenience and accessibility underpin my culture and shape my values and reactions. But during the Revolutionary War, very little was convenient or accessible. Danger and scarcity shaped decisions, especially for the middle and lower classes.

Indian at CamdenWe’re out of touch with the hardships our ancestors endured to stay alive. My challenge is to bridge that gap in my fiction. The lessons I’ve learned from reenacting inform the crafting of my fictional world. Without the experience of having lived history via the time machine of reenacting, I wouldn’t be able to provide such a believable and captivating escape for readers.

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Oney Judge, a Brave Girl Who Escaped the Washingtons

Relevant History welcomes Diana Rubino and Piper Huguley, authors of Oney: My Escape From Slavery.

Diana Rubino author photoDiana’s passion for history and travel has taken her to every locale of her stories, set in Medieval and Renaissance England, Egypt, the Mediterranean, colonial Virginia, New England, and New York. Her urban fantasy Fakin’ It won the Romantic Times Top Pick award. She is a member of Romance Writers of America, the Richard III Society and the Aaron Burr Association. When not writing, she runs CostPro, Inc., an engineering business, with her husband Chris. For more information about her and her books, visit her web site, and follow her on Facebook and Twitter.

Piper Huguley author photoPiper Huguley is a two-time Golden Heart® finalist and author of the “Home to Milford College” series, which follows the building of a college from its founding in 1866. Book #1, The Preacher’s Promise, was named a Top Ten Historical Romance in Publishers Weekly and received Honorable Mention in the Writers Digest Contest of Self-Published e-books. Her new series “Born to Win Men” starts with A Champion’s Heart. She lives in Atlanta with her husband and son. For more information about her and her books, visit her web site, and follow her on Facebook and Twitter.

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When I began researching Oney: My Escape From Slavery, I read numerous books about slavery and the Washingtons in particular, because Oney was Martha Washington’s slave. I learned many facts about George and Martha Washington that are not taught in school. Because she was a mulatto, and light-skinned, Oney was allowed to work in the “big house” as Martha’s housemaid.

The Washingtons considered themselves generous with their slaves, but in our modern view, we would consider them extremely stingy. They rationed their slaves’ food and clothing. Martha took Oney on shopping trips, to the theater, and to visit her lady friends. She dressed Oney in the same finery as her granddaughters, though Oney, an expert seamstress, sewed it all. Oney had many more clothes than the one petticoat, two shifts, one jacket and pair of stockings a year the field women got. (The men were given one pair of homespun breeches a year.) Oney enjoyed sweets, while the field slaves got their weekly rations—a few pounds of pork, usually poor cured salt herrings, and a handful of Indian corn. George weighed each grain and morsel so nobody got more than their share.

The Washingtons were a bit stingy with calling slaves by their proper names—a handful of slaves were called Old Wench, Old Nanny, and Young Fellow. They gave Sambo the nickname Sammy. Oney’s given name was Ona, Latin for “unity” or “harmony.”

It was illegal for slaves to be literate, but Martha allowed Oney to learn to read and write. She learned from Hercules, the cook, who escaped just before Oney did, also never to return.

George boasted that he never separated families, as did many heartless slave owners, and never beat his slaves. But to punish some of them, he sold them to plantation owners in the West Indies, where labor was especially brutal under the scorching sun. It’s well known that he wore dentures, reported to be made from ivory, wood, and hippopotamus. In fact, some of the false teeth came from animals, and he bought some of them from his slaves. He had a French dentist extract them.

Martha called teenaged Oney her “favorite servant.” Oney and Martha both longed for freedom, but in very different ways. While Martha hated being confined to the president’s house, forced to entertain politicians and diplomats, Oney hated being property, forced to wait on her owner day and night.

As Martha hosted her tea parties and levees, she became close friends with several forward-thinking women, such as Abigail Adams and Judith Murray, feminists of the time. Their radical ideas rubbed off on Martha—education and job training for women to be self-supporting instead of depending on husbands. By the end of George’s term, she experienced a steep character arc. She even changed her attitude toward slavery.

When Oney escaped at age twenty, at the end of George’s final term, Martha was very resentful: “She was more like a child to me than a servant.” The Washingtons knew that she’d escaped to Portsmouth, New Hampshire and made several attempts to recapture her. But in a sudden act of lenience, Martha gave up on Oney and let her remain free. During her husband’s presidency, Martha complained, “I am more like a state prisoner,” so perhaps she put herself in Oney’s place and realized she deserved liberty, too.

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Oney My Escape From Slavery book coverA big thanks to Diana Rubino and Piper Huguley. They’ll give away an ebook copy (Kindle format only) of Oney: My Escape From Slavery to someone who contributes a comment on my blog this week. I’ll choose the winner from among those who comment by Friday at 6 p.m. ET. Delivery is available worldwide.

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