I’m Featured in Southern Writers Magazine

Suzanne Adair feature in Southern Writers Magazine Nov-Dec 2015Many thanks to Southern Writers Magazine, where I’m featured for the November-December 2015 issue. The article provides information on the historical background of the Michael Stoddard series, details development of characters like Nick Spry, and goes into the importance of my reenacting experience. Interested? Purchase a copy. Follow Southern Writers Magazine on Facebook and Twitter to learn more about your favorite Southern authors.

Tweet: Check out #mystery author @Suzanne_Adair featured in Nov-Dec 2015 Southern Writers Magazine. http://bit.ly/1PgNS7y @SouthrnWritrMag

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A Couple of Guest Posts in April

Before we charge into the lusty month of May, enjoy my guest posts during the last part of April:

On Le Couer de Artiste, I talk about “Losing Myself in the Past” and the importance of Revolutionary War reenacting for my writing.

A Day in the Life of Michael Stoddard” on Dru’s Book Musings recounts April Fools Day 1781 (A Hostage to Heritage) from Michael’s point of view, in his voice.

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Understating the Costs of War

Mass grave with WWI soldiersThroughout history, reports about the costs of war in terms of human lives have focused on dead and injured combatants. Commanding officers reported on the numbers of their men killed in battle, those who died afterwards as a result of their injuries, and those who were permanently injured. Pictures like this one depicting a mass grave from World War I show up in high school history books. They reinforce an erroneous assumption that the costs of war have revolved around people enlisted in regular units and militias.

War doesn’t affect only combatants. Casualty reports omit or trivialize the devastation war brings to civilians. Because the physiological and psychological damage to these people hasn’t been reported, it hasn’t been quantified. Thus the cost of human warfare throughout history has been greatly understated.

Examples of military actions with costs that haven’t been quantified
The business of soldiers is combat. Historically, civilian contractors have traveled with military units to provide goods and services not covered by soldiers: goods such as tobacco, and services such as blacksmithing. Because “camp followers” often traveled with the baggage train, which was loaded with supplies, numerous accounts of battles report the accidental involvement of these civilians in actual combat. Although many of them were armed, they often proved to be a trivial challenge to trained combatants. My book Camp Follower fictionalizes this scenario at the Revolutionary War Battle of the Cowpens, 17 January 1781, in South Carolina.

Wives of soldiers have often followed the drum alongside their husbands, bringing their children with them. These civilians have landed in horrific danger. During the American Revolution, the 1 September 1777 issue of The New-York Gazette and the Weekly Mercury reported such an incident. During Sullivan’s attack on Staten Island, 22 August, loyalist commander Lt. Col. Edward Vaughan Dongan was retreating with some of his men, along with his wife and children. Discipline among Sullivan’s Continental soldiers collapsed to plundering. They chased down Dongan’s wife, and her three-year-old son witnessed her rape by Continental soldiers. Meanwhile, Dongan himself was killed. Traumatized by his mother’s rape and father’s death, the young boy died.

As his death shows, a casualty of war doesn’t always have to be a person who is physically injured or killed in a military action. Furthermore, even civilians in their homes or places of business can be traumatized by warfare. Revolutionary Reminiscences from the “Cape Fear Sketches” documents an eyewitness account from the North Carolina backcountry during the first week of April 1781. Here’s what a patriot man saw when he entered Alexander Rouse’s tavern right after the departure of redcoats who’d gunned down several of his comrades within:

Upon entering the house what a scene presented itself! The floor covered with dead bodies & almost swimming in blood, & battered brains smoking on the walls; In the fire place sat shivering over a few coals, an aged woman surrounded by several small children, who were clinging to her body, petrified with terror. We spoke to her, but she knew us not, tho familiar acquaintences; staring wildly around, and uttering a few incoherent sentences, she pointed at the dead bodies; reason had left its throne.

Unlike the Dongans’ story, we don’t know the names of the woman and children who witnessed “the Rouse House Massacre.” Most of the time, civilian casualties of war go unnamed. So when I fictionalized this aggression in my book A Hostage to Heritage, I personalized these people by giving them names.

Martha Bratton threatened by soldiersCivilians who are exposed to combat demonstrate the kinds of immediate psychological traumas detailed in this account. Lasting psychological damage is another cost of war, even more difficult to quantify than the loss of life or visible physiological injury.

In the 18th century, with no psychologists and few sedatives, do you suppose the civilians who survived the attack on the baggage train at Cowpens, or Mrs. Dongan on Staten Island, or the woman and children at Rouse’s Tavern ever ceased having post-traumatic stress disorder? What do you think were the costs to their society? And what are the costs to society today from similar activity in war-torn countries all over the world?

#PTSD in civilians during the #AmRev http://bit.ly/1fVzAoH #history via @Suzanne_Adair

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Buy the Paperback, Get the Kindle Edition Free in December

For the month of December, I’m participating in a special promotion with thirteen other authors of historical fiction. Buy the paperback version of our books on Amazon, and you’ll be offered the opportunity to download the Kindle edition for free. Amazon will also credit your prior purchase of these paperbacks.

What a great opportunity for you if you prefer paperback but also like to have a digital version—or if you’ve been thinking about giving a paperback as a gift and want an ebook for yourself. You’ll find all five of my books in this promotion. Here’s the full list of titles we’re offering.

Remember: this special promotion is only for December.

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Camp Follower for a Weekend

From the Vault: I’ve participated in more than a decade of Revolutionary War reenacting with the 33rd Light Company of Foot—as one of their camp followers. Boy, oh boy, those words “camp follower” sure perk the ears of journalists and beg a clarification of what a camp follower does. My explanation often sounds like what’s in the following essay, originally published in 2010 in Mystery Readers Journal, vol 26 no 4, the issue on “Hobbies.” (The pictures weren’t in the original.) In this essay, I discuss giving voice to women of the Revolution so we can learn about “the crushing, undeniable effect of war on humanity.” Note that that voice is loud and clear in my latest release, A Hostage to Heritage.

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I write a mystery/suspense series set during the Southern theater of the American Revolutionary War. Several years ago, after I’d described the hobby that best informs my writing, an interviewer said to me, “Honey, you really suffer for your art.” My hobby is Revolutionary War reenacting. During a reenacting weekend, I portray a woman of middle class who is a camp follower.

Surgeon's table at Camden November 2005 reenactment

No, I’m not a military groupie. During the Revolutionary War, any non-combatant civilian who traveled with an army met the definition of what we’d call a “camp follower.” These folks took no commissioning or enlistment vows but were paid in other ways by the army or through interaction with the army. Camp followers in the Revolutionary War included artisans such as blacksmiths and wheelwrights; sutlers like merchants and peddlers; and retainers: family members, servants, slaves, and friends.

Usually when we hear a voice from the Revolutionary War, it’s a man’s voice, a soldier’s tale. Women have a different story to tell about the war. One purpose of my series is to spotlight women in a historically accurate setting and give them their voices.

Women spinning and weaving at the Joel Lane House

Why would any woman who wasn’t a prostitute follow an army? In the Revolutionary War, territories changed hands often. The conflict pitted neighbor against neighbor—demonstrated gruesomely in the Southern colonies, where squabbling families used the excuse of war to continue old feuds. Most cities were too small to provide a defense for people. Often an army was the greatest source of protection. When a military force withdrew from an area, civilians who stayed behind became vulnerable and risked torture and death at the hands of enemies. Thus wives left home and marched to the drum with their soldier husbands, bringing with them children and other household members.

A woman who followed an army endured privation. The baggage train where most camp followers traveled was considered worthy of capture. Civilians associated with it often found themselves in the midst of battle. These people also experienced disease, starvation, lack of clothing and shelter, and exposure to the elements. In addition, civilians had to obey military rules. A woman who broke the rules might pay a fine or receive corporal punishment. She could be evicted from camp or executed.

Von Bose camp at Camden 2007 reenactment

Middle- and lower-class women coped by cobbling together some form of domestic life, normalcy within the military environment and chaos of war. Perhaps they shared a daily meal with their soldiers, or participated in a family activity, such as reading from the Bible. Since women often didn’t receive food rations, they laundered, cooked, mended clothing, and worked in the infirmary for extra pay or food.

These women weren’t early feminists. They did what had to be done, part of the innate ability of women throughout history. Yet the accomplishments of women don’t receive the attention of men’s accomplishments. Stories of war are most often told from the point of view of men, soldiers. Furthermore, we tend to regard women of Revolutionary America through the lens of Victorian society, impose Victorian expectations upon women of Georgian society.

Sometimes in primary research, we must read between the lines to hear the small voice with the true story. When women are allowed to voice their stories, a very different image of war emerges, especially for middle- and lower-class women. We hear the crushing, undeniable effect of war on humanity. I depict these women in my series—especially in my book Camp Follower, where I’ve described the suffering of civilians who traveled with the army that lost the Battle of Cowpens.

If my fiction succeeds in capturing most of what women camp followers endured, then it’s worth sweating beneath my petticoat in the summer, blowing on numb fingers in the winter, and swatting mosquitoes and eating burned food. Who said hobbies must be easy? I look for new experiences and challenges. Maybe for another series, I’ll take up ghost hunting.

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Nine Five-Star Reviews for A Hostage to Heritage

A Hostage to Heritage book cover

There are now nine five-star reviews on Amazon for A Hostage to Heritage. The latest reviewer wrote, “My next trip through the Carolinas may include some detours to places referenced in the story.” Huzzah! This reviewer is rocking the actual history! How cool is that?

This week, Historical Fiction eBooks is running a repeat of my essay “Creating Tension Without Using Gratuitous Violence.” In this essay, I discuss how I used the historical event called the “Rouse House Massacre” in A Hostage to Heritage to generate tension, as well as my ideas about how far crime fiction authors need to take violence in their stories to get the point across. If you missed it the first time, stop by and see if you agree with me.

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Readers, Plotting and Pantsing, Creativity: A HOSTAGE TO HERITAGE, Book Tour Stop 14

My plans for a series trailer. How I involve my readers. The importance of professional editor and cover designer. Inspirations for the Michael Stoddard series. Stop by the That Thing I Said blog today to learn about my creative process. It’s the final stop on the blog tour. Thanks to everyone!

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HFeBooks Re-Runs My Time Machine: A HOSTAGE TO HERITAGE, Book Tour Stop 13

Got a hankering to read historical fiction? You’ll find something to hit the spot at the site for Historical Fiction eBooks. Take a look at all they have to offer. And today on their blog, they’re re-running one of my earlier essays.

What sort of historical revelations would you write about if you had a time machine to help you step back in time and sample the sensory impressions of the past? Stop by the HFeBooks blog today to learn about the time machine I discovered. Thanks!

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Five Five-Star Reviews for A Hostage to Heritage

A Hostage to Heritage book cover

Huzzah! A Hostage to Heritage just received its fifth five-star review on Amazon. “This is a complex and fast-paced thriller with twists and turns that will keep the reader engaged until the last page.” Thank you!

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Hands-on History: A HOSTAGE TO HERITAGE, Book Tour Stop 12

St. Augustine and Castillo de San Marcos, Florida. Ft. Frederica, Georgia. Revolutionary War reenacting. All part of the hands-on history that fuels the Michael Stoddard series. To learn how and why, stop by the Poe’s Deadly Daughters blog today. Thanks!

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